A revisionist comedy in verse and prose featuring Imogen, a character who only appears in the first folio of William Shakespeare’s MUCH ADO ABOUT NOTHING, speaks no lines, and is probably a typo. A modern hijacking of Shakespeare that investigates the voices that have been
absented from our canon, and the consequences of cutting them. “A fierce feminist fable. The playwright has spun bits of Elizabethan trivia into a profound meditation on women in society, gender roles in general, persecution, creativity, posterity and the nature of theater itself.” – Hartford Courant